Romantic Killer (2017)

Romantic Killer 2017 / 风流杀手 2017 / 風流殺手 , Merry Killer

This film attempts to open a ‟window to the heart‟ of the ‟otaku‟ for the audience through the ‟peeping‟ perspective of the male protagonist. It presents the details of the life situation of the urban little people and the delicate description of the change of psychological state, which is marked with suspense, voyeurism and brain burning , eroticism, human torture and other market labels, coupled with the careful design of movie stories, the rational use of audio-visual elements, and the social significance of the leopard. From the perspective of ‟voyeur‟, the audience sees that in the distorted human nature of the characters in the film, the voyeur's design to kill is purely helpless, and the real protagonist of the murder has nothing to hide. However, what is reflected is not only a mix of routine social phenomena such as the destruction of corpses to cover up the truth, fame and fortune brought about by several ‟popularizations‟, but also the ‟arrest orders‟ of the public security organs and the deafening of the public security personnel. Voice, and the causal cycle of ‟the sky is wide, sparse but not leaking‟, ‟good and evil are rewarded, like shadows‟, show the film theme of ‟people hurt each other will inevitably lead to destruction‟. (Source: Douban)